Peter Curling (b.1955) Morning Exercises Oil on canvas, 89...

Estimate

€20,000 - €30,000

Peter Curling (b.1955) Morning Exercises Oil on canvas, 89 x 178cm (34¾ x 70'') Signed Born in Waterford, Peter Curling developed an early affinity for horses, nurtured in part by his mother's involvement in the sale of sporting art. This formative exposure introduced him not only to the subject matter that would come to define his career but also to the visual traditions of equestrian painting. His aptitude for depicting horses emerged at a young age and was quickly recognised; by the age of fourteen, while living in England, he had already achieved notable success with a sold-out exhibition at Lambourn. Curling's formal education included studies at Stonyhurst, followed by a scholarship to Millfield. He subsequently pursued artistic training in Florence, where from 1971 to 1974 he studied under the renowned Signorina Simi. This period proved pivotal in refining his technical abilities and deepening his understanding of classical draughtsmanship. In particular, it enabled him to develop a precise and sensitive approach to equine anatomy, combined with a distinctive capacity to convey movement and vitality. Upon returning to Ireland in 1975, Curling established himself as a painter of exceptional skill and focus, dedicated primarily to the horse as subject. His work is characterised by a balance between anatomical accuracy and an expressive rendering of motion, capturing both the physical power and the elegance of his subjects. This dual emphasis has become a defining feature of his practice and contributes to the enduring appeal of his work. Curling's engagement with horses extends beyond the studio. Over the years, he has been actively involved in various aspects of equestrian life, including ownership, hunting, training, and stewarding. This direct experience informs his artistic output, lending authenticity and insight to his depictions.　 Today, Curling's work is in high demand, and he is widely regarded as one of Ireland's leading equestrian painters. His distinctive treatment of the horse, combining technical mastery with an intimate understanding of the subject, has secured his reputation both nationally and internationally.