GEORG JENSEN, DESIGNED BY IBE DAHLQUIST: A SILVER NECKLACE, ...

Hammer

€1,100

GEORG JENSEN, DESIGNED BY IBE DAHLQUIST: A SILVER NECKLACE, CIRCA 1960 Composed of fancy fold-over links, in 925 silver, signed Georg Jensen, numbered 149B, stamped 925 S Denmark, French import marks, maker's mark, length 40.1cm A matching bracelet is illustrated page 120, 'Georg Jensen, A Tradition of Splendid Silver', by Janet Drucker (revised & expanded 2nd edition, with updated guide price) Inga-Britt “Ibe” Dahlquist (1924-1996) was a renowned Swedish silversmith whose nature-inspired, modernist jewellery left a lasting impact on the industry. Born on the Swedish island of Gotland, Dahlquist began incorporating natural elements such as fossils and beach stones into her work, creating pieces that were both unique and timeless. She studied at Stockholm’s Swedish School of Arts, Crafts, and Design, where she developed her distinctive style. Dahlquist gained early recognition for her work, particularly after exhibiting in the 1959 “Contemporary Jewellery” show at the National Museum of Sweden. At the 1961 International Exhibition of Modern Jewellery in London, Dahlquist captivated the public with her creations, while exhibiting alongside renowned names such as Harry Winston and Pablo Picasso. For nearly 30 years, Dahlquist worked in a shared studio in Visby, Gotland, alongside silversmith Olof Barve, a fellow graduate of Konstfack. While Dahlquist focused on design, Barve executed her ideas, allowing her to push the boundaries of silversmithing and modernist jewellery. In 1965, Dahlquist joined the prestigious Danish company Georg Jensen, where her naturalistic approach complemented the brand’s minimalist modernist aesthetic. Dahlquist’s work brought a distinctive organic touch to Jensen’s sleek, precise designs, blending the vitality of nature with the precision of modern craftsmanship. Today, Dahlquist’s work is held in high regard and can be found in prestigious institutions such as the British Museum, Stockholm’s National museum, and Goldsmith’s Hall in London. Her legacy continues to inspire, and her jewellery remains a symbol of the harmonious relationship between nature and craftsmanship.